This paper will follow a musically experimental trajectory from non-mediated musical sound through many centuries of musical innovation from the simplest forms of resonation to today’s synthesised musics in electronic – digital and synthesiser musics – with side looks at how changes in musical technologies play roles in the player-instrument and listener-music relations. I shall then look briefly at the modern, electric amplification of ‘electric’ instruments and much ‘louder’ musics with their equally radical changes in audience-performance situations. Finally, then, I will turn to electronic variants, which yet again drastically change the musical gestalt of player-instrument and listener-music relations.

本文将遵循音乐实验的轨迹，从非中介音乐声音到数百年来的音乐创新，从最简单的共振形式到当今的电子合成音乐（数字和合成器音乐），并侧重于音乐技术的变化如何在电子音乐中发挥作用。演奏者的乐器和听者的音乐关系。然后，我将简要介绍一下“电”乐器和许多“大声”音乐的现代电放大效果，以及它们在听众表演环境中的变化。最后，接下来，我将介绍电子变体，它再次极大地改变了演奏者乐器和听者与音乐之间的音乐关系。