ABSTRACT

The article focuses on how Céline Sciamma uses screenwriting to underpin her rigorous and uncompromising approach to independent filmmaking. She blends writing and mise en scène in the development stages to repeatedly subvert familiar generic conventions and calls into question what she calls the art of conflict through her distinctive gaze on relationships, femininity, sisterhood, coming of age and gender fluidity. Taking as starting point Sciamma’s own analysis of her method of film development in preproduction, the article explores the centrality of screenwriting to her subjective and political approach to artistic creation. The second part of the article explores to what extent her screenwriting for other directors – especially her collaborations with Claude Barras, André Téchiné and Jacques Audiard – has reinforced her method or revealed new facets of her artistic and screenwriting signature.

摘要

本文重点介绍了席琳·席安玛 (Céline Sciamma) 如何利用编剧来支撑她严谨且毫不妥协的独立电影制作方法。她将写作和场景调度融为一体在开发阶段，她不断颠覆熟悉的通用惯例，并通过她对人际关系、女性气质、姐妹情谊、成年和性别流动性的独特视角，对她所谓的冲突艺术提出质疑。本文以席安玛自己对预制作中电影开发方法的分析为出发点，探讨了剧本创作对于她艺术创作的主观和政治方法的核心作用。文章的第二部分探讨了她为其他导演撰写的剧本——尤其是她与克劳德·巴拉斯、安德烈·泰希内和雅克·欧迪亚的合作——在多大程度上强化了她的方法或揭示了她的艺术和编剧签名的新方面。