This paper aims to contribute to the current debate about Posthumanism in archaeology, arguing for the potential that Posthumanism can have for the study of rock art. Through a case study in San Luis Potosí, Mexico, this work seeks to explore a posthuman approach to rock art as vibrant and relational assemblages, through affects as relational agencies and non-human personhood and ritual landscape as theoretical tools, articulated with aspects from indigenous ontologies explored from archaeological, ethnographic and documentary information. It is proposed that this approach can help interpret hunter-gatherer rock art created between 1000 and 1500 ce in the northern region of Mexico. Through this exercise it is considered that Mexican archaeology of rock art can embrace posthumanism for a more complex and comprehensive understanding of the painted memory of hunter-gatherers from this part of the world.

中文翻译：

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后人类考古学和岩石艺术

本文旨在为当前考古学中关于后人类主义的争论做出贡献，论证后人类主义对岩石艺术研究的潜力。通过墨西哥圣路易斯波托西的案例研究，这项工作试图通过作为关系机构的影响和作为理论工具的非人类人格和仪式景观，探索一种将岩石艺术作为充满活力和关系的组合的后人类方法，并与土著的各个方面进行阐述从考古学、民族志和文献信息中探索本体论。有人提出，这种方法可以帮助解释 1000 至 1500 年间狩猎采集者创作的岩石艺术CE在墨西哥北部地区。通过这一练习，人们认为墨西哥岩石艺术考古学可以拥抱后人类主义，以便对来自世界这一地区的狩猎采集者的绘画记忆有更复杂和更全面的理解。