• Contributors

Crystal U. Davis is Associate Professor of Dance at University of Maryland, College Park. Her research explores implicit bias and how privilege manifests in the body. Her research has been published in the Journal of Dance Education, in the Palgrave Handbook of Race and the Arts in Education, and in her book, Dance and Belonging: Implicit Bias and Inclusion in Dance Education (McFarland, 2022). Her performances span from East Indian dance to her postmodern choreography examining incongruities between what we say, what we believe, and what we do.

Elisabeth Dutton is Professor of Medieval English Language and Literature at the University of Fribourg, Switzerland. Her research interests include Julian of Norwich, devotional compilations, and early theatre. Her most recent book, Dramatic Wardrobes (Chronos, 2023), co-authored with Racha Kirakosian, discusses clothing in English and German visionary and dramatic texts. Her research projects, funded by the Swiss National Science Foundation, include 'Early Drama at Oxford,' 'Medieval Convent Drama,' and beginning in 2024, 'Women, Martyrdom, and Religious Drama in the Abrahamic Traditions.' She is an experienced theatre director and combines archival work with research through performance.

Alan B. Farmer is Associate Professor of English at Ohio State University. He is the co-creator, with Zachary Lesser, of DEEP: Database of Early English Playbooks, co-editor, with Adam Zucker, of Localizing Caroline Drama (Palgrave, 2006), and has published widely on book history, Shakespeare, and early modern drama. He is currently working on two projects: a study of lost books in the early modern English book trade and another on the popularity of playbooks in Renaissance England.

Baltasar Fra-Molinero is Professor of Hispanic Studies and Africana Studies at Bates College. He is the author of La imagen de los negros en el teatro del Siglo de Oro (The Image of Blacks in Spanish Golden Age Theater) (Siglo Veintiuno Editores, 1995). He is the co-author with Sue E. Houchins of Black Bride of Christ: Chicaba, an African Nun in Eighteenth-Century Spain (Vanderbilt University Press, 2019) and the editor of Don Quixote's Racial Other in Annals of Scholarship (2010). He has recently produced with Nelson López and Manuel Olmeddo Gobante a bilingual critical edition of the Spanish seventeenth-century play El valiente negro en Flandes (The Valiant Black Man in Flanders) (Liverpool University Press, 2023). [End Page 304]

Dian Fox is Professor Emerita of Hispanic Studies and Women's, Gender, and Sexuality Studies at Brandeis University. She currently writes about representations of masculinity in early modern Spanish letters. Her book Hercules and the King of Portugal (University of Nebraska Press, 2019) explores how iconic Iberian figures express and confound masculinist ideals of nationhood on the seventeenth-century Spanish stage. Among her recent publications are "King Sebastian of Portugal, Miguel de Cervantes, and Don Quijote: A Genealogy of Myth and Influence" in MLN (2020); and "Gender Reveal: the Achilles/Amadís Paradigm in María de Zayas's Amar por solo vencer" in Hispanic Review (2022).

Yang Gao is a lecturer in the School of Journalism and Communication at Yangzhou University. He earned his PhD from National University of Singapore. His research interests focus on the comparative studies of the dissemination and reception of Chinese and Japanese theatre in the early twentieth century in the West. He is the author of Reception of Japanese Theatre Troupes Touring the United States and Europe from 1899 to 1931 (Shanghai Jiaotong University Press, 2021). His recent publications include "'Purification' and 'Hybridization': (Re)construction and Reception of Theatrical Nationality in Western Tours of the Mei Lanfang and Tsutsui Troupes in 1930" in Theatre Research International (2022); and "'Re-Theatricalization' and 'Re-Totalization': The Historical Influence of Japanese Touring Troupes on the 'Revitalization' of Western Theatre in the Early 20th Century" in Theoretical Studies in Literature and Art (2021).

Michael P. Jaros is Professor of English at Salem State University in Salem, Massachusetts, where he teaches graduate and undergraduate courses in dramatic literature. He teaches within the Commonwealth Honors Program, and he also works as a dramaturg to the theatre department. His research and publications focus primarily on Irish culture and performance in the twentieth and twenty-first centuries, as well as contemporary American drama. His...

• 贡献者

克里斯托·戴维斯 (Crystal U. Davis)是马里兰大学帕克分校的舞蹈副教授。她的研究探讨了隐性偏见以及特权如何在身体中体现。她的研究成果发表在《舞蹈教育杂志》、《帕尔格雷夫种族与艺术教育手册》以及她的著作《舞蹈与归属：舞蹈教育中的隐性偏见和包容性》（麦克法兰，2022 年）中。她的表演涵盖了从东印度舞蹈到她的后现代编舞，审视我们所说的、我们相信的和我们所做的之间的不一致。

伊丽莎白·达顿 (Elisabeth Dutton)是瑞士弗里堡大学中世纪英语语言和文学教授。她的研究兴趣包括诺维奇的朱利安、灵修汇编和早期戏剧。她的最新著作《戏剧衣柜》（Chronos，2023 年）与 Racha Kirakosian 合着，讨论了英语和德语幻想和戏剧文本中的服装。她的研究项目由瑞士国家科学基金会资助，包括“牛津的早期戏剧”、“中世纪修道院戏剧”以及从 2024 年开始的“亚伯拉罕传统中的妇女、殉道和宗教戏剧”。她是一位经验丰富的戏剧导演，通过表演将档案工作与研究结合起来。

艾伦·B·法默 (Alan B. Farmer)是俄亥俄州立大学英语系副教授。他与 Zachary Lesser 共同创作了《DEEP：早期英语剧本数据库》，与 Adam Zucker 共同编辑了《卡罗琳戏剧本地化》（帕尔格雷夫，2006 年），并在图书史、莎士比亚和早期英国戏剧方面发表了广泛的著作。现代剧。他目前正在进行两个项目：一个是关于早期现代英语图书贸易中丢失的书籍的研究，另一个是关于文艺复兴时期英格兰剧本的流行程度的研究。

巴尔塔萨尔·弗拉-莫利内罗 (Baltasar Fra-Molinero)是贝茨学院西班牙研究和非洲研究教授。他是《西班牙黄金时代剧院中黑人的形象》（La imagen de los negros en el teatro del Siglo de Oro）（Siglo Veintiuno Editores，1995）的作者。他与 Sue E. Houchins 合着了《基督的黑人新娘：十八世纪西班牙的非洲修女奇卡巴》（范德比尔特大学出版社，2019 年），并编辑了《堂吉诃德》的《学术年鉴》中的其他种族（2010 年）。他最近与 Nelson López 和 Manuel Olmeddo Gobante 合作制作了西班牙 17 世纪戏剧El valiente negro en Flandes（佛兰德斯的勇敢黑人）的双语评论版（利物浦大学出版社，2023 年）。[完第304页]

戴安·福克斯 (Dian Fox)是布兰迪斯大学西班牙裔研究和妇女、性别与性行为研究的名誉教授。她目前正在撰写有关早期现代西班牙语字母中男性气质的表征的文章。她的著作《大力士和葡萄牙国王》（内布拉斯加大学出版社，2019 年）探讨了伊比利亚标志性人物如何在 17 世纪西班牙舞台上表达和混淆男性主义的民族理想。她最近发表的著作包括《葡萄牙国王塞巴斯蒂安、米格尔·德·塞万提斯和堂吉诃德：神话与影响的谱系》（MLN，2020 年）；以及《西班牙评论》 （2022 年）中的“性别揭示：玛丽亚·德·扎亚斯的《Amar por alone vencer 》中的阿喀琉斯/阿马迪斯范式” 。

高杨，扬州大学新闻与传播学院讲师。他在新加坡国立大学获得博士学位。他的研究兴趣集中于二十世纪初中日戏剧在西方的传播和接受的比较研究。着有《1899年至1931年日本剧团巡演美国和欧洲的接待》（上海交通大学出版社，2021年）。近期发表的著作包括《‘净化’与‘杂化’：1930年梅兰芳、筒井剧团西巡中戏剧民族性的（重新）建构与接受》，载于《国际戏剧研究》（2022年）；以及《‘再戏剧化’与‘再总体化’：日本巡回剧团对20世纪初西方戏剧‘复兴’的历史影响》，《文艺理论研究》（2021年）。

迈克尔·P·贾罗斯 (Michael P. Jaros)是马萨诸塞州塞勒姆州立大学的英语教授，教授戏剧文学研究生和本科生课程。他在英联邦荣誉计划中任教，同时也是戏剧系的剧作家。他的研究和出版物主要关注二十世纪和二十一世纪的爱尔兰文化和表演，以及当代美国戏剧。他的...