Although tourist performance of local identity has been regarded as an instrument of everyday nation-building from below, this article describes the opposite phenomenon as Mallorca became a tourist destination in the nineteenth century. The island's identity embodied through tourist dance performances, led to denationalization and subaltern silencing in the production process of a Mediterranean and insular exotic otherness of colonial nature. In this respect, this article explains how the host population refused to assume a denationalized local identity, as well as to perform a colonial stereotype through dance.

中文翻译：

---

马略卡岛的第一次游客遭遇（1837-1842）：殖民时期的非国有化和音乐和舞蹈表演中的当地抵抗

尽管游客对当地身份的表现被视为自下而上的日常国家建设的工具，但本文描述了马略卡岛在十九世纪成为旅游目的地时的相反现象。该岛通过旅游舞蹈表演体现的身份，导致了地中海和岛屿异国殖民性质的异国情调的生产过程中的非国家化和底层沉默。在这方面，本文解释了东道国人民如何拒绝承担非民族化的当地身份，以及如何通过舞蹈表现出殖民刻板印象。