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Grace Is a Practice

Published online by Cambridge University Press:  23 August 2021

Isaiah Matthew Wooden*
Affiliation:
Brandeis University, Waltham, MA, USA

Extract

There was certainly much about the hurried switch from in-person to online teaching and learning in the early months of the COVID-19 pandemic that inspired angst. The decisions that many colleges and universities made to halt on-campus activities and deconcentrate their communities left scores of us scrambling to pack up some of the things we hoped would help us withstand a few weeks away from our offices and classrooms. When I think back on those frenzied days, I often chuckle at how naive I was about the extent to which the pandemic would radically upend our lives, forcing us to rethink every aspect of our ways of being in the world. I was in the middle of leading a discussion on The Tempest in my dramaturgy course when the official word came down from university administrators that all classes would move online and most students would have to vacate their residence halls. A palpable feeling of dread quickly swept over the stuffy classroom. Students began to weep and to wonder out loud what the news would mean for, say, their senior thesis projects or the department's futuristic mounting of The Tempest, which would have to shutter before its second weekend of scheduled performances. I tried my best to remain optimistic, even as I too began to question what the fast-moving changes would mean for how we would finish out the semester. I felt a special call to offer comfort, reaffirming my commitment to supporting students no matter what was ahead.

Type
Special Section: Notes from the Field: Remembering Times of Crisis
Copyright
Copyright © The Authors, 2021. Published by Cambridge University Press on behalf of American Society for Theatre Research, Inc.

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References

Endnote

1 See Kaba, Mariame, “Hope Is a Discipline,” interview by Wilson, Kim and Sonenstein, Brian, in We Do This ’til We Free Us: Abolitionist Organizing and Transforming Justice, ed. Nopper, Tamara K. (Chicago: Haymarket Books, 2021), 26–7Google Scholar.