Index to Volume 75
Buy Issue for $25 at JHUP- Index to Volume 75
CONTRIBUTORS’ INDEX
ARTICLES
Arfara, Katia. A Museum of Human Hunting: Thomas Bellinck’s Speculative Documentary. 277–299.
Barclay, Kari. Erotic Returns: Sleeping with the Ancestors in Contemporary Plays about Sexual Violence. 41–59.
Bory, Alison and Ariel Nereson. A Set of Questions for a Field in Motion: Susan Leigh Foster’s “Choreographies of Protest” and Dance Studies in Theatre Journal. 413–423.
Chow, Broderick. “Hold on to That Feeling”: Disciplinary Formations and Asian B-Sides. 485–496.
Cox, Emma. Unsanctioned Refugee Processing: Maritime Interception, Aesthetics, Hospitality. 259–275.
Golomb, Sariel. Channels Through the Humane: The Exiled Body in Crystal Pite’s Flight Pattern. 301–320.
Gonzalez, Anita. Seeking Critical Frameworks for Global Majority Theatre. 511–517. Herrera, Brian Eugenio. Revisiting (and Revising) West Side Story’s Parahistories Disciplinary Desires. 469–483.
Hughes, Bethany. On Inclusion and Resurgence: The State of North American Indigenous Theatre and Performance Scholarship. 497–509.
Jeong, Areum. From Witnessing to Redress: Objects, Remnants, and Wreckage after the Sewol. 167–186.
Kim, Heidi. Waif, Orphan, Refugee: Staging Korean War Reparation in Lloyd Suh’s Bina’s Six Apples. 341–358.
Kondo, Dorinne. Power and Theory: Structural Racism and Zones of Sanctioned Ignorance. 519–532.
Kruger, Loren. Theatre and Capital Once Again: An Essay on an Informal Archive. 389–398.
Lee, Josephine. “Moving Through and Beyond”: Asian American Theatre and Performance Studies. 399–412.
Liu, Siyuan. Pingju (Ping Opera) and the Politics of Celebrity in 1930s Shanghai. 187–211.
Meera, Suhaila. (Not So) Minor Encounters: Little Amal from The Jungle to The Walk. 321–340.
Merrill Moss, Rachel. Skrzypek as Synecdoche: Polish–Jewishness in Fiddler on the Roof. 143–166.
Metzger, Sean. Performance Studies Reorient. 547–552.
Parker-Starbuck. Jennifer, Nonhuman Futures. 533–546.
Power–Sotomayor, Jade. Un Llanto Colectivo: A PerformaProtesta. 121–142.
Shea, Megan. Resisting Nonperformativity: Emma Sulkowicz’s Challenges to Victim-hood. 19–40.
Smith, Kirstin. On the Couch: Casting, Cruel Optimism, and Memory Work. 1–18.
Sofer, Andrew. Catastrophe Practices and the Ontological Gambit: Nicholas Mosley’s Plays for Not Acting. 455–467.
Tompkins, Joanne. The Digital Turn: Research and Publishing in Theatre Journal. 425–436.
Wooden, Isaiah Matthew. In Praise of Performance Reviews. 437–443.
Worthen, W.B. Passing Theatre. 445–454.
Young, Harvey. Whipping the Black Body in Delaware. 61–79.
PERFORMANCE REVIEWS
1941s. Between Two Knees. 553–555.
Aeschylus. The Suppliants: Ukraine. 213–216.
Afrovibes Foundation Festival. 233–237.
Belflower, Kimberly. John Proctor is the Villain. 366–369.
Berlant, Kate. Kate. 578–579.
Chekhov, Anton. The Seagull. 230–232.
Childress, Alice. Trouble in Mind. 93–97.
_____. Wedding Band. 93–97. [End Page 605]
Dutta, Shomit. Stumped. 362–364.
Edwards, Sherman. 1776. 558–560.
Fernández de Sevilla, Luis (Libretto). Entre Sevilla Y Triana. 101–104.
Fillinger, Selina. Potus. 89–93.
Fujikura, chelfitsch and Dai. Metamorphosis of a Living Room (Ribinugu Rumu Metamorufoshizu). 567–570.
Hansberry, Lorraine. The Sign in Sidney Brustein’s Window. 371–373.
Li, Jianjun. The Master and Margarita. 364–366.
Lindsay–Abaire, David (Lyrics). Kimberly Akimbo.360–362.
Lopez, Matthew (Book). Some Like it Hot. 560–562.
Lous, Édouard. Who Killed My Father. 244–246.
Lutken, Sherry. The Porch on Windy Hill. 562–564.
Ma, Xuan. The Master and Margarita. 364–366.
Mirii, Ngūgī wa. I Will Marry When I Want/Ngaahika Ndeenda. 359–360.
Molière. Le Misanthrope. 104–107.
_____. Le Malade Imaginaire. 104–107.
_____. Le Tartuffe Ou L’Hypocrite. 104–107.
_____. Le Bourgeois Gentilhomme. 104–107.
_____. L’Avare. 104–107.
_____. Les Fourberries De Scapin. 104–107.
Monahon, Talene. The Good John Proctor. 366–369.
Montesquiua, Alicia. Las Hermanas De Manolete. 101–104.
Morisseau, Dominique. Confederates. 224–226.
Pelaez, Carmen. The Cuban Vote. 87–89.
Pipes, Eliana. Dream House. 97–101.
Nguyen, Thinh. Hobollywood. 373–375.
Oregon Shakespeare Festival. 220–224.
Rolón, Rosalba. Torched! 242–243.
Rubio, Sergio. Inés De Ulloa. 369–371.
Sakamoto, Edward. Aloha Las Vegas. 240–241.
Sanaqulov, Shurat. Bibixonim. 237–240.
Shakespeare, William. Hamlet. 216–220.
Shange, Ntozake. For Colored Girls. 89–93.
Sheikhzadeh, Maqsud. Mirzo Ulugbek. 237–240.
Soyinka, Wole. Death and The King’s Horseman. 228–230.
Sorozábal, Pablo (Music). Entre Sevilla Y Triana. 101–104.
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